Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Amedeo Modigliani
Elvira mit weissem Kragen

ID: 74779

Amedeo Modigliani Elvira mit weissem Kragen
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Amedeo Modigliani Elvira mit weissem Kragen


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Amedeo Modigliani

Italian Expressionist Painter and Sculptor, 1884-1920 Amedeo Clemente Modigliani (July 12, 1884 ?C January 24, 1920) was an Italian artist of Jewish heritage, practicing both painting and sculpture, who pursued his career for the most part in France. Modigliani was born in Livorno (historically referred to in English as Leghorn), in northwestern Italy and began his artistic studies in Italy before moving to Paris in 1906. Influenced by the artists in his circle of friends and associates, by a range of genres and art movements, and by primitive art, Modigliani's œuvre was nonetheless unique and idiosyncratic. He died in Paris of tubercular meningitis, exacerbated by poverty, overworking, and an excessive use of alcohol and narcotics, at the age of 35.  Related Paintings of Amedeo Modigliani :. | Die Judin | Portrat des Leopold Zborowski | Lunia Czehowska | Reclining Nude with Arm Across Her Forehead | Jeune fille nue (mk38) |
Related Artists:
FRUEAUF, Rueland the Elder
Austrian painter (b. 1440/45, Passau, d. 1507, Passau).
Luca Signorelli
Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
Matthew Pratt
American Colonial Era Painter, 1734-1805






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